Nina Papaconstantinou minutely explores the relationship between the text and its image, at the same time investigating the drawing as a composite of signs, imprints and tracings (ichnographies). “Writing, copying and imprinting” (to employ an indivisible triad of participles used by the artist herself to describe her work) she draws on the surface of the paper overlapping inscriptions and transcriptions which highlight the seduction of the trace and the materiality of writing.
Secretaire
Nina Papaconstantinou
